Tuesday, March 31, 2009

The Bloomingdale Road and the Earliest Known Photograph of New York City

CNN is reporting that the earliest known photograph of New York City has just sold for $62,500 at Sotheby's. A daguerreotype, it dates from 1848 and shows a house perched above an oval white-fenced piece of land overlooking the Bloomingdale Road.

The Bloomingdale Road, built in 1703, joined Broadway, the main thoroughfare of the urbanized southern tip of Manhattan, at Union Square (23rd Street) and ran the length of Manhattan through Harlem and then into Westchester County.

I didn't think that Sotheby's would want me to use their photograph, so the illustration above is of another, similar house on the Bloomingdale Road, in 1847 - the year before the daguerreotype was taken. This is the Abbey Hotel, not the single-story home of the photograph - but the circular fenced-in front area, and rural atmosphere, is similar.

'Bloemendaal' was an area around 100th Street, named by Dutch settlers, presumably for the flowery meadows there. It was heavily wooded, though by the early eighteenth century the land had been cleared sufficiently for tobacco to be grown in significant quantities. As Jessica Lynn O'Brien points out in her excellent article on the area's history (see below for citation and link), the tobacco was brought down to the city via the Bloomingdale Road. For most of the nineteenth century, the Bloomingdale Road north of Central Park was a country road, along which lay farms, clusters of squatters' shacks, and large public asylums.

Bloomingdale village was situated roughly between Morningside Heights to the south and Manhattanville to the north (it is now known as Manhattan Valley). As late as 1888, the Atlantic Monthly noted: The Bloomingdale Road is a continuation of Broadway, taking its rural name at the point where the great city thoroughfare touches the southwestern triangle of Central Park. It is Broadway run out in the country, in fact, to enjoy a breath of fresh air. Right under the steep, woody bank that slopes to the west from this road runs the Hudson River Railway, and much of the intervening ground is occupied by market-gardens.

In the late 1840s and for decades after, Bloomingdale was a farming area, with a few riverside mansions and hotels. It was also home to a several asylums. The most famous of those was the Bloomingdale Asylum which opened in 1821, the first public asylum in New York State. In 1896 Columbia University moved from its 49th Street campus to the grounds of the old Bloomingdale Asylum, which was moved to White Plains in Westchester County.

Note: The famous New York department store of the same name was not named for the village or the road, but for its two founders, brothers Joseph and Lyman Bloomingdale, whose father was Bavarian.

Here is the enlarged version of the 1848 photograph over at CNN.
Image of Abbey Hotel in Bloomingdale from NYPL Digital Gallery.
Image of Bloomingdale Asylum from NYPL Digital Gallery.
Modern map of the Bloomingdale/Manhattan Valley area in northern Manhattan, is from Geocities; it shows a small area still called Bloomingdale.

ADDITIONAL SOURCES

Dolkart, Andrew S. Morningside Heights. (Columbia UP, 2001), p. 13.
Haskel, Daniel and John Calvin Smith, A Complete Descriptive and Statistical Gazetteer of the United States of America (Sherman and Smith, 1843), p. 469.
O'Brien, Jessica Lynn. "Unearthing Bloemendaal," The Cooperator (Sept 2002), link here.
Thaxter, Celia, Sarah Orne Jewett et al. The Atlantic Monthly (v. 22, 1868), p.iv.
Watson, Edward B. and Edmund Vincent Gillon. New York Then and Now (Dover, 1976), p. 34.

Forgotten NY on Manhattanville and the Bloomingdale Road.
A photograph of the Bloomingdale Road about 1895 is here.
Modern map of the Bloomindale/ManhattanValley area in northern Manhattan, which shows a small area still called Bloomingdale.
Bloomingdale Asylum in an 1892 photograph.
There is still one asylum building on the Columbia campus, see here.
The 104th Street Block Assocation has a site called Bloomingdale.org, with some good photos.
Bllomingdale village chronology here.

Sunday, March 29, 2009

Missing His Sense of Kruschen

Heavens - what a dreadful gloomer
'Kruschenize' - get back your humour.

You may notice a theme in the old ads for various medicinal salts - when you take them, you will be very happy, and when you do not, well, you are so terribly grumpy that you can go to the theater (let us say) and not find it a bit funny. Because your insides need Kruschenizing, that's why. Imagine having friends who interpreted your inner drama critic as gastrointestinal malaise! Who are these friends, anyway?

Maybe the play really just isn't all that funny. The man with the coffee at the bottom of the ad weighs in with a second opinion, below. He has put Kruschen in his cup, and both he and the vapors arising from said cup look positively sinister.

On a similar note, Dave Till found a truly frightening 1931 ad which proves that Kruschenizing can lead not only to excessive giggling, but can turn you into a maniac.

From the Hamilton Spectator (Hamilton, Ontario), 1926. And you can still buy Kruschen Salts, see here.

For more salty medicinals, you can go over to Kitchen Retro and have a look at these amazing products:

Inner Saltiness
Before and After Fruit Salt
Mother Always Uses Andrews Liver Salt

Later this week, along with shorter museum interludes:

The Mysterious Tomb

Walking On the Ceiling

Friday, March 27, 2009

The Jell-O Fiend

Who would have thought that the desire for Jell-O would make a woman act so suspicious and sneaky? She's whispering into the telephone, and looks positively guilty. How much Jell-O is she ordering each week? Maybe this is a daily phone call. In which case, we need to stage a little intervention. Maisie, you need to find some other dessert ideas! Your family is getting tired of all those lemon and lime molded Taj Mahals.

Or maybe she's whispering because she's married to a guy who works for Cox's Gelatine.

In any case, here's a little circa 1910 Jell-O recipe, to give you an idea of what Maisie might do with all these variegated boxes of gelatin powder, once the delivery boy brings them over. I refuse to speculate about Maisie and the delivery boy, we're going to stick to Jell-O today. I don't have any Taj Mahal recipes (sadly, I made that up) but how about this instead:



The image is from the cover of a pamphlet, circa 1910, from Duke University's Emergence of Advertising in America. The recipe and the picture of the result is from the same source. There are some wonderful illustrations all through the booklet, including many "dishes of extreme beauty." I'm sure Maisie has made them all many, many times.

Thursday, March 26, 2009

The Portable Vapor Bath

Here is what awaited you in Nashville probably in the 1860-1890 period (there is no date on this, according to Duke University, link below). There were plenty of vapor baths in American cities - one of my Barnett several-great aunts had a dear friend whose husband, Professor Balbo, ran vapor baths in Brooklyn. In Balbo's ad they are called "volcanic baths" (!) but in the city directories he is listed as running vapor baths.

What is most remarkable here is the picture of the man in the bath. He looks so dignified, and yet so silly. I always like that combination in a Victorian ad!

This Hygienic Hot Air and Vapor Bath was made out of canvas and "c[ould] be folded into a very small bundle." It could probably also double as camping equipment, although you'd have to sleep sitting up with your head out in the open.

The vapor bath reminded me of the I Love Lucy episode The Diet (first aired October 29, 1951). Lucy wants to perform at Ricky's nightclub, but in order to do so she has to fit into a premade costume. She needs to lose weight fast, and does various things, including renting a portable steam bath. Of course after sitting in the steamer all day, she ends up being too weak to dance more than one night.

This Victorian vapor bath was supposed to cure obesity, among other things, according to the information inside the pamphlet. The item that looks like a chamber pot is actually a heater; it looks like a fire hazard, even though one is assured that "the flames are steady." Flames and canvas just aren't a good combination, no matter how medicinal the outcome.

This amazing advertisement is from Duke University's Emergence of Advertising in America. It was part of a pamphlet, which they have digitized in full (three pages).

Malcolm Shifrin has a website devoted to the Victorian Turkish Bath, see here. And Synctopia has a vapor bath ad very similar to this one, here; this vapor bath was made in New York City, though.

******
The post about the strange tombstone at Greenwood will appear early next week. I thought that it would be fairly straightforward to write but hunting down the family in question has been difficult. And there are a few more sources I want to check over the weekend. So we'll carry on with other things in the meantime.

******


Thank you so much Heather for the Seal of Awesomeness and the Lemonade awards!

Tuesday, March 24, 2009

The Giant Uncleanliness of Gotham

Here is a dramatic soap advertisement from an 1879 guidebook to Coney Island. I'm having a great time exploring Internet Archive, as I research Coney Island for some writing I'm doing (fiction). This is from The history of Coney Island (1879), link here - a most amusing guidebook.


The little poem at the bottom reads:

Gotham's King David has nobody hurt,
He emblazons his banners with hope,

And drives from our midst the Goliath of dirt

By sending amongst us Prize Soap.


Try it. You'll like it.


Maybe David should just take Goliath over to Mrs. Vanderveer's Bathing Pavilion instead of lobbing cakes of soap at him. Just a thought...

Tomorrow, a mysterious tomb at Greenwood Cemetery in Brooklyn - so mysterious, in fact, that I don't quite know what to make of it. I'll let you know what I know so far on Wednesday...

Sunday, March 22, 2009

Psychine

"Girlhood vigor" is equated with a healthy stomach in this 1912 advertisement for a medicine called Psychine, from the Toronto Telegram.

At the bottom of the ad (which is too dark to see here) it reads "Psychine regulates and strengthens the stomach and is an unfailing remedy for all disorders of the throat, lungs and chest. All druggists and stores, 50c."

Psychine was also billed as an appetite stimulant and general cure for being run-down: "There is Life in Every Dose." Nature may indeed say "Stop" but perhaps nature really meant for women to take a few breaks now and then - not another medicine.

Having said that, the lady in the ad does seem to have at least one maid, so I am not sure why she is quite so run-down.

Psychine was manufactured by a Dr. T.A. Slocum, and had been around at least since the 1880s. Samuel Hopkins Adams wrote in 1906, in The Great American Fraud, that Psychine was 16% alcohol, with a bit of strychnine (!) "so that the patient would get his money's worth; and it was colored red with cochineal.

Adams noted that Slocum had a $5 package deal wherein you could get Psychine and several other of his medicines. Adams notes that though the medicines were supposed to "snatch you from the jaws of death," it was no use to charge Slocum with fraud because Slocum himself was dead.

SOURCES

The Medical World (vol. 3, Roy Jackson pub., 1885), p. 252 [A letter to the editor asks for the formula for Psychine; the editor said he didn't know, but would be glad to publish any "reliable information" if he got it.]

Another letter to the editor of Medical Brief (1888, p. 363) asks for the formula for Psychine - and also for the instructions for making "soda foam" and "Milk Shake" (I can only imagine what sort of concoction they were going to make!)

Adams, Samuel Hopkins. The Great American Fraud (New York, 1906), pp. 49-50. See link here for excerpts, re Psychine. This book is available at Internet Archive, too.

Another ad for Psychine here at The Olden Times.

A Psychine bottle for sale on EBay, with the uplifting motto "Hope is the Anchor of the Soul."

Friday, March 20, 2009

Robert Heller: The Strange Man On Broadway

"As Houdin is in Paris, so Heller is in New York," says the New York Clipper ad. The Salle Diabolique "nightly thronged with the elite of the city," who came to see "Magic's Most Illusory Deeds, Music's Most Entrancing Charms, [and] Mirth's Most Hilarious Seasoning" performed by "The Strange Man On Broadway."

This was Robert Heller, magician, musician and (as the Brooklyn Eagle calls him in the ad below) "amusing talker." Robert Heller (1828-1878) was an Englishman who became one of the most famous magicians of the 19th century. He was born William Henry Palmer in Canterbury, England, son of the organist at Canterbury Cathedral. He was a talented pianist who had played for Liszt as a child. When he was a 14 year old student at the Royal Academy of Music, Palmer/Heller was so enchanted with the magical skills of his idol, the famous French magician Robert-Houdin, he decided to become a magician himself.

He arrived in New York City in 1852 and debuted in a performance in the basement of a theater called the Chinese Assembly Rooms. This was an invitation-only show, for actors and journalists. Heller thought that people wanted to see a Frenchman, like Robert-Houdin (whose first name he adopted) so he actually put on an accent and a black wig, and dyed his enormous mustache black to match.

But those initial performances were not successful. He moved to Washington DC for several years, where he taught music and married the daughter of a wealthy local. Heller eventually returned to magic, focusing more on creating illusions in his act, not in his nationality. This worked out much better.

Heller was famous for several innovations, especially the trick known as "the Second Sight Mystery." In this, the magician's assistant stands in the audience selecting people. The magician on stage tells them what they are holding (concealed from him), as if by magic. Heller and his assistant pulled this off by communicating through a clever code. The code was roughly as follows:

1. Each letter is assigned a number relative to its position in the alphabet (1 for A, and so on).

2. A series of common phrases such as "let us know" and "please" and "tell us" are assigned a letter and number.

3. A list of common objects (that audience members would be likely to have are assigned a letter and number, three per letter (A1 = glove, A2= mirror, A3=purse, for example). A cue word or phrase would signify whether the assistant was referring to the first, second or third item.

4. Sometimes there would be a third person concealed behind a peep-hole under the stage, where he could see the audience but they (of course) could not see him. He would have a speaking-tube leading to the assistant (when on stage) to tell him what the items were.

This would be quite complicated to memorize but once you had done so, it was very effective. Physical signals were added to aid the performers, such as fingering one's tie or putting a hand in a pocket. If this was done, the magician would wear a blindfold to throw clever people off - making sure that it was sheer enough to see out of, of course!

Another one of Heller's tricks was called the Hat-Fake (fake being magician's slang for trick). This would be performed before the assistant came on stage. The magician would borrow three or four items from audience members and put them into a soft felt hat. In the hat, he had already put a few of his own things (like an odd coin, for example). He would go to fetch the assistant and whispered to him what the borrowed things were. The assistant then, of course, names all the things perfectly - and he can go into impressive detail when he talks about the magician's items, naturally.

In this 1864 Clipper ad, Heller is giving his performance of music and magic with a little comedy thrown in, at the Salle Diabolique. This was the former French Theatre at 585 Broadway; it was one of the longest-running one-man shows in the history of New York theater. Heller became nationally famous when he went on tour in 1869. He was on tour for an amazing 6 years. Then he retired from magic and returned to his first love, the piano, for the three years remaining to him. Heller died of pneumonia in Philadelphia in 1878. He stipulated in his will that all his magic inventions and apparatus were to be destroyed, but they were not. But where are they now? (I wasn't able to find out, but if you know, please tell us in the comments!)

Photograph of Robert Heller from Picture History. Advertisement from May 1864 New York Clipper. Brooklyn Athanaeum ad for "Robert Hetler" [sic] from April 27, 1866 Brooklyn Daily Eagle, p. 3.

OTHER SOURCES

Bell, J. Bowyer and Barton Whaley. Cheating and Deception (Transaction, 1991), p. 139.

Cook, James W. The Arts of Deception: Playing With Fraud in the Age of Barnum (Harvard UP, 2001), p. 67.

Curry, Paul, Martin Gardner and Julio Granda. Magician's Magic (Dover, 2003), pp 175-79.

Mussey, June Barrows, Henry Hay, and Hans Jehnek. Learn Magic (Dover, 1975), p. 245.

Schwab, Arnold T. and James Gibbons Huneker. James Gibbons Huneker; Critic of the Seven Arts (Stanford UP, 1963), p. 5.

"The Secret of Second Sight, By An Ex-Conjuror," The Century (v. 21, Scribner, 1881), pp 65-69.

Thursday, March 19, 2009

The Revolving Hat

I'm working on a post about a Victorian-era magician who had some very modern tricks up his sleeve - but here's a little something to look at while I'm getting that together. Something that looks like a magic trick gone wrong, actually.

From the splendid Science and Society Picture Library* - may I present to you the amazing Revolving Hat! Living Made Easy, indeed. Easy access to your spectacles, your hearing trumpet, scent box and other bits and bobs. Makes the handbag and briefcase obsolete! The artist, Thomas McLean, was known for making fun of the fashions of the 1830s, which is when he drew this wonderful card of these dandified dudes in their curls and fancy jackets.

* A site full of wonderful things; I am going to try not to spend too much time looking around there today!

Tune in tomorrow when we are off to see the magic show at the Salle Diabolique!

Wednesday, March 18, 2009

The Wild Sewer Pigs of Hampstead

Victorian England's answer to the mythical alligators that were said to have roamed free in the sewers of New York City were the feral pigs or "black swine" which were said to have lived in the sewers of Hampstead, London in the early 1850s. By the 1850s, the sewers of London were a higgledy-piggledy mess (as it were) until civil engineer Joseph Balzalgette organized and rebuilt them in the wake of "The Great Stink" in the summer of 1858.

The story seems to have originated with some London sewer workers, interviewed in 1851 by Henry Mayhew, who quoted them in his London Labour and the London Poor:

There is a strange tale in existence among the sewer-workers, of a race of wild hogs inhabiting the sewers in the neighborhood of Hampstead. The story runs, that a sow in young, by some accident got down the sewer through an opening, and, wandering away from the spot, littered and reared her offspring in the drain, feeding on the offal and garbage washed into it continuously. Here, it is alleged, the breed multiplied exceedingly, and have become almost as ferocious as they are numerous.

Mayhew adds that the story must be "apocryphal" and that no one living in Hampstead has actually heard any grunts from the sewers, nor seen anything. But the believers argued to Mayhew that there was a good reason the pigs had not been seen. This was that the only way the pigs could get out of the sewer would be to get to the mouth of it, which would require them to cross the "Fleet ditch" against the rapid currents of which pigs would refuse to swim because of their "obstinate nature."

The Fleet ditch was originated from the River Fleet, which ran through London and gave Fleet Street its name. The river's headwaters were located at Hampstead Heath. The Fleet Ditch had been long known as a "pestilential nuisance." Mayhew writes that "the Fleet seems always to have had a sewery nature." It had been bricked over for many years by the 1850s, and ran underground.

Hampstead, located in north London, was still quite rural in nature in the 1850s (and like all parts of London, was home to plenty of farm animals). Hampstead would have been a far-off place to Mayhew's central London sewer workers - quite far enough away to be a locale for fantastic happenings.

The story was picked up, probably through reading Mayhew, by Charles Dickens, who was fascinated by London and often walked about all night, observing things. He wrote in his periodical Household Words, in 1852:

We have traditions and superstitions about almost everything in life, from the hogs in Hampstead sewers to the ghosts in a shut-up house.


Seven years after this, a Daily Telegraph editorial of October 10, 1859, mentions the pigs. This is reproduced in Thomas Boyle's Black Swine in the Sewers of Hampstead. The Telegram writer is expounding on the hidden mysteries of London:

It has been said...that Hampstead sewers shelter a monstrous breed of black swine, which have propogated and run wild among the slimy feculence, and whose ferocious snouts will one-day up-root Highgate archway, while they make Holloway intolerable with their grunting.

It is interesting to note how the Telegram writer has embroidered the Mayhew story with florid language ("slimy feculence," "ferocious snouts") and imagines the pigs emerging to wreak havoc on the city.

David Lawrence Pike, in his book Subterranean Cities, notes that urban legends about wild creatures in the sewers are directly related to myths about the underworld. These exist in every culture, ranging from the Greek Tartarus to the Buddhist Naraka. The urban sewer is a particularly frightening symbol of a dark and dangerous underworld teeming just below the surface of the mundane, regulated everyday world. The story of wild pigs (or alligators) living and waiting in the dark tunnels under city streets was a fascinating translation of earlier stories about the underworld. And of course, Lewis Carroll was writing his tale of Alice's journey down a rabbit hole (far nicer than the sewers of Hampstead, though equally dark and confusing), originally titled Alice's Adventures Underground, in 1865. It would be interesting to know whether he had ever heard of the mythical pigs of Hampstead.

SOURCES

Boyle, Thomas. Black Swine in the Sewers of Hampstead: Beneath the Surface of Victorian Sensationalism. (Viking, 1989), p. 205 [reproduction of Oct. 10, 1859 Daily Telegram editorial].

Dickens, Charles. "A Clouded Skye," Household Words: A Weekly Journal, vol. 5 (Bradley and Evans, 1852), p. 98.

George, Rose. "The Wasteland," Slate, Apr. 24-7, 2006; article found at Sewer History.

Jackson, Lee. Sewers in Victorian London, quoting from Cruchley's London in 1865: A Guide for Strangers (1865), at the Victorian Dictionary.

Mayhew, Henry and William Tuckniss, London Labour and the London Poor. (Griffin, Bohn and Co., 1861 ed.), pp 154 [pigs in sewer anecdote], 390 [Fleet Ditch]. The page where the Hampstead pigs are mentioned is also here, at the Tufts Digital Library ( their source is the 1851 edition).

Pike, David Lawrence. Subterranean Cities: The World Beneath Paris and London 1800-1945. (Cornell University Press, 2005), p. 191.

Timbs, John. Curiosities of London. (Longmans, Green, Reader and Dyer, 1868), p. 348.

Wheeler, William Adolphus and Charles Gardner Wheeler. Familiar Allusions (Ticknor ad Co., 1887), p. 178 [more on Fleet Ditch],

More on sewers in Victorian London, from Cruchley's London in 1865: A Guide for Strangers (1865), at Lee Jackson's excellent site Victorian Dictionary.The Fleet Ditch is discussed over at the Victorian Dictionary as well. Jackson's source for the Fleet Ditch is the Illustrated London News, 1845.

More on the Great Stink (and Joseph Bazalgette) here at Crossness.org.

Tracing the Fleet River in London in modern times, here.

Image of the "sewer hunter" from Mayhew's London Labor and the London Poor (1861 edition), p. 388. Photograph of Hampstead street in 1965 from Victorian Web. John Tenniel's illustration of Alice in the rabbit hole (which looks rather like a Victorian subway tunnel) from my copy of Alice In Wonderland (Grosset and Dunlap, 1946), p. 14.

Monday, March 16, 2009

The Molby Revolving Hammock

This week we are going to go looking for those pigs in the sewers of 1850s London, and also visit an amazing Victorian magician in New York. In order to gain strength for all this exertion, some of us may want to try out this astonishing Revolving Hammock (circa 1923) in order to stretch and make our spines young and happy. Heather sent me this wonderful advertisement (and several other fabulous ones) for which I thank her very, very much. I had no idea that Walter David Molby of Baldwin City, Kansas had been working on this.

The idea, according to Molby's patents (see below for links) is to stretch the body "under tension of its own weight." The frame was supposed to support the body especially the neck, and he suggests doing swinging exercises in it, too (they must be described in the free book). It looks like one is pretending to be a giant bow waiting for archery practice. Watch out for those arrows!

In 1920 Walter Molby was 32 years old, single and living at home in Baldwin City with his parents and sister. His occupation looks like "Reconstruction Work on Farm." I don't know what that means, exactly, but it doesn't have a lot to do with revolving hammocks. I certainly hope it doesn't, anyway.

The magazine Men's Fitness named Molby's Revolving Hammock one of its "12 worst fitness inventions of all time." And St. Louis Magazine jokes that the equipment in an 1950s St. Louis gym photo is "only a shade more effective than the Molby revolving hammock." Poor Molby. I guess it's good that he had a second career reconstructing things on farms.

Molby's Patents:

Physical Culture Apparatus (1921) - This would be the hammock
Apparatus For Physical Culture (1923) - The hammock, redux.

1920 US Census, James Molby household, Palmyra Twp, Baldwin City, Douglas, KS; #315/324, Series T625, Roll 521, p. 221.

Saturday, March 14, 2009

Under Crust House

Happy Pi Day! In honor of the great occasion, let's go to the Under Crust House, a root beer and pie stand that was a hot spot on New York's Fifth Avenue, circa 1870. The name Under Crust House was probably a nickname, since the sign merely reads "Refreshments." I assume that it was written on the back of the stereograph.

There is a larger version of this photograph in Mary Black's Old New York In Early Photographs (from the collection of the New-York Historical Society). Black says that this pie stand was located at 59th and Fifth, just at the entrance to Central Park. In the larger photo you can see the menu listings painted on the front: Soda Water, Root Beer, and Sarsparilla to drink; Cakes, Pies and Candy to eat; and Segars and Tobacco for after your snack.

I don't know why they didn't call it the Upper Crust House, but perhaps the clientele were not as fancy as they would have been below 59th St., which in 1870 was very close to the then-shantytowns of upper Manhattan. We'll go visit there another day, but today we'll stop here and eat pie; we can walk it off in Central Park later.

The wonderful stereograph (or double photo) above, is from the NYPL Digital Gallery.

Also see Mary Black, New York In Early Photographs, 1853-1901 (New-York Historical Society, 1976), p. 190.

Friday, March 13, 2009

The Urban Fisherman

Here's what the well-dressed dude of 1900 was wearing to go fishing in Brooklyn! Brooklyn still, in 1900, had rural pockets, such that a fishing-tackle store could flourish in what was the downtown core, near City Hall. That nice white Colonel Sanders suit is going to get a tad dirty though.

James F. Marsters. Catalog. Brooklyn, N.Y. [ca. 1900] University of Delaware Library. Newark, Delaware, USA.

Thursday, March 12, 2009

Alligators In the City

A famous New York City urban legend is that of the Sewergator - the legend of alligators living in the sewers, breeding and wandering around and occasionally popping up to frighten people.

The legend is said to have its origins in the mid-1930s. In 1935, the New York Times reported that a seven-foot alligator had got out of a ship that had come from the Florida Everglades and into the Harlem River, where it made its way into a sewer. Some boys claimed to have found it while they were dumping snow into a sewer in Harlem. Two years later, people waiting on a Brooklyn subway platform claimed that they saw a two-foot alligator crawl out of a garbage can. Supposedly a man had put a package in the can just before this.

The then-Commissioner of Sewers, Teddy May, claimed to have seen several alligators, too.He was interviewed for a 1959 book by Robert Daley, The World Beneath the City, which fired up the legend and gave it teeth, so to speak. In that book, May is quoted as saying that there was a massive hunt for colonies of alligators up to two feet long, in the 1930s - although there is no other evidence for this.

Sometimes the gators were supposed to have come from ships from Florida, as in the 1935 case. But people also believed that baby alligators were brought back from Florida by tourists as souvenirs, and then flushed down the toilet when people realized that they were not the best choice of urban pet. The gators were then supposed to have made their way to the sewers and flourished. Several biologists have pointed out, however, that the sewers are too cold and have too much bacteria in them for the alligators to survive.

Snopes suggests that the legend may have arisen in part from the 1851 British story about feral pigs roaming around in the sewers of Hampstead, London. This is intriguing but does seem unlikely, considering that the New York alligator story started over 80 years after that of the Hampstead pigs.

I have uncovered a couple of sightings that - as far as I know - have never been mentioned in the source material, until now:

ca 1800, Manhattan: In 1853, the Brooklyn Eagle interviewed an old man named Peter Embury, "father-in-law of the poet Mrs. Embury." He had a few good stories about the old Collect Pond in lower Manhattan. [Emma Catherine Embury was an early 19th century poet and editor, who lived in Brooklyn].

Embury said that they found an alligator in the Collect once. The Collect Pond was a 48-acre pond located at what is now Franklin and Centre Streets in Manhattan, just west of Chinatown. The Tombs prison stood at that site in the 19th century; it was built upon the small island in the middle of the Collect, where there had been a gallows in the 18th century. At that time the pond itself was often used as a skating rink and place of recreation, too.

The Collect, which is called the "Collet" in this article, was "at one time rumored to be the resort of an enormous serpent." The Eagle reporter thought that this was "a stray alligator, driven by currents [which] might have been brought in by some vessel." Embury also told a story about himself and some other boys finding a foot-long lizard-like creature with red eyes and bat wings, on a tree next to the pond. He said he hadn't seen the enormous serpent, though.

July 1871, Brooklyn: A Mr. Michael Campbell of Leonard Street had a pet alligator stolen from him. The alligator liked pigs, it was said, and flies. "The lovely creature could also be relied upon to persuade little boys not to throw chips into the City Hall fountain; and if the Eighteenth Ward sewer were left to the occupancy of the alligator, Mr. Thomas A. Devyr would be perfectly willing to let the subject alone." [Thomas Devyr was a printer living in the 18th Ward, but there is no mention of him re sewers, in the Eagle; a John Devyr in Williamsburg at this time was a bit of a troublemaker, but again, not with reference to sewers, as far as I can tell[.

August 1887, Brooklyn: A four foot long alligator was spotted in Coney Island Creek. The boys who had been swimming nearby (and quickly got out of the water) said "it was as big as a log of wood and looked awful wicked." Isaac Ring, the engineer of the Coney Island sewer, said "he saw the alligator jump off the sewer pipe and into the marsh." He stuck to his story, even though "references to Gravesend beach whisky left him unmoved and Chief Engineer Powers failed to weaken him by sarcastic suggestion of the 'jim jams.'" Powers went off to investigate, it was reported, but the results of his detective work remain unknown.

Alligator picture from NYPL Digital Gallery. As is the 1796 image of the Collect, link here; and that of Coney Island Creek in 1924, here.

SOURCES & LINKS

The New York Times articles are:
"Alligator Found In Uptown Sewer," Feb. 10, 1935, p. 29.
"Alligator In Subway," Jun. 7, 1937, p. 21

And from the Brooklyn Daily Eagle:
"Reminiscences of the Old 'Collet,'" Jun. 18, 1853, p. 4.
Untitled article, Jul. 11, 1871, p. 2 - concerning Campbell's pet alligator.
"Coney Island Incidents," Aug. 24, 1887, p. 3.

The alligator legend debunked at Snopes.com
Cryptomundo on the legend
Radiohead wrote a little song about this
LiveScience article about sewergators - very short, but with a nice alligator photo.
SewerGators Fact and Fiction at NYC24

And apropos of the Hampstead pigs, I recommend Thomas Boyle's book, Black Swine In the Sewers of Hampstead (Viking, 1989), about sensationalism in British newspapers in the 19th century. He doesn't go into much detail about the pigs, however; so VDM might be traveling across the Atlantic to do a little investigating, in the future!

Wednesday, March 11, 2009

A 1930s Take on the Fashions of 2000

Here's what some 1930s people imagined we'd be wearing in the year 2000. It is very funny, especially some of the women's skyscraper hairstyles. The portable phone isn't a bad guess, although men carrying them don't tend to dress up like Prince Valiant on Halloween. And the aluminum dress probably has been done by European designers. There were paper dresses in the 1960s, after all.

Tomorrow: alligators all around!

Tuesday, March 10, 2009

Uncle Ben Jo's Bell Tongue Syrup

Uncle Ben Jo has something called Bell Tongue Syrup for us all; but what exactly does this mean?

Does Bell refer to the Tongue or to the Syrup; and in either case, what in the world is it? A Bell Tongue Coot was a late 19th century term for a kind of bird also known as a white-wing scoter [Dictionary of American Regional English, p. 212]. A bell tongue is also the clapper or part that strikes a bell. But neither of these possibilities really seem to relate to medicinal syrup.

However, Bell Tongue also refers to a type of Windsor pear, according to a 19th century treatise on fruit - I suspect that this is the solution to the mystery [see Andrew Jackson Downing and Charles Downing, Fruits and Fruit-trees of America, J. Wiley & Son, 1883, p. 883]. The Windsor pear was also known as the Summer Bell Pear, the Downings noted; it was of European origin, and was not eaten raw, but had to be cooked to be edible.

The health benefits of pears in general can include the alleviation of conditions such as arthritis, gout, chronic gallbladder trouble, colitis and inflammation of the mucous membranes. It is also good for the lungs and stomach. Uncle Ben Jo's concoction was supposed to cure a long list of ailments which included all of these, plus heart trouble, rheumatism, coughs and colds, brain diseases and lumbago. Those Windsor pears must be packed with goodness!

The Bell Tongue Syrup was manufactured in New York about 1880, according to the National Museum of American History (NMAH), proud owners of the bottle. The image, not surprisingly, is from the NMAH Balm of America collection.

Sunday, March 8, 2009

Cora Dow, Pharmacist

Cora Dow Goode is a fitting subject for today, as it is International Women's Day. Although she was not a suffragist, she was a wonderful example to girls and women (and still is): a self-made entrepreneur who amassed three quarters of a million dollars and a chain of eleven drugstores by the time of her death in 1915.

She was born Margaret or Martha Cornelia Dow on March 11, 1868 in Paterson, New Jersey, daughter of Edwin B. and Catharine (Hook) Dow. Her family moved to Cincinnati when she was a child, where her father was a pharmacist. In the 1880 census Edwin's profession is listed as "Patent Medicine." He sometimes worked as a peddlar selling porous plasters and other medicinal items, but had a store of his own by the mid-1880s.

When Cora was 16 years old, her father suffered a stroke and was unable to work. She had been working as a music teacher and dreamed of studying music seriously. But instead, she took over her father's store and began to study at the Cincinnati College of Pharmacy. She graduated in 1888, only the second woman to do so (the first was a Mrs. H.M. Merrell in 1884).

One of Cora's first business acts was to buy the drugstore that was her main competition, then close it. She then added several attractions to her own store, including a soda fountain and a perfume and cosmetics department. As her business grew, she opened more and more drugstores in Cincinnati and established the Dow Drug Company. She gained more customers by buying supplies in bulk and then giving consumers special low prices (hers were among the first "Cut-Rate" drugstores).

She married confectioner William W. Goode sometime in the 1890s. They were divorced less than a decade later. Cora used her maiden name professionally, and reverted to it entirely by the early 1900s. She was a keen supporter of music in Cincinnati and was a strong advocate for animals; at one time she was the Vice President of the American Humane Society.

Goode died October 17, 1915 in Cincinnati, at the age of only 47. She left a sizable legacy to the Cincinnati Symphony, where there is still a Cora Dow Endowment Fund. Her drug company survived until 1959, and the last Dow drugstore was closed in 1961.

SOURCES

Grace, Kevin and Tom White. Cincinnati Cemeteries (Arcadia, 2004), p. 85.

Henderson, Metta Lou and Dennis B. Worthen. "Cora Dow (1868-1915): Pharmacist, Entrepreneur, Philanthropist," Pharmacy In History, 46 (3): 91-105, 2004. This is an excellent and detailed article, well worth reading; it provides a detailed account of Dow's life with wonderful photographs.

Willard, Frances E. Occupations For Women (Cooper Union, NY, 1897), pp 402-4.

Edwin B. Daws [sic] household, 1880 US Census, Cincinnati Ward 4 Prec. 3, Hamilton, OH; FHL# 1255024, NARA T-9-1024, p. 346B:

Edwin B. DAWS 35y NH Patent Medicine NH NH
Kate H. DAWS 35y NJ Keeps House Netherlands Netherlands
M. Corra DAWS 12y b NJ At School NH NJ

Family Search Labs, Ohio Deaths 1908-1953: Death record of Margaret Cornelia Dow, Druggist.

Saturday, March 7, 2009

The Kitchen Appliance of Dorian Grey


This Russwin Food Cutter is quite a product. Not only does it cut food, but it makes you younger, thinner and more fashionable while you sleep! It has an air of The Portrait of Dorian Gray meets Through the Looking Glass. I have a feeling that the old lady is stuck in a secret back pantry somewhere on the other side of the looking glass, sleeping, while her younger, transformed self is out in public in the main part of the house, happily grinding things up. Wonder what's for breakfast? (Perhaps we don't really want to know...)

This delightfully odd poster (ca 1900-1917) is from the New York Public Library Digital Gallery.

Tomorrow we'll look at either a weird patent medicine or the life of the first woman pharmacist in the US (depending on levels of inspiration, etc. - because if I don't find something exciting and interesting on a particular day, you're not likely to either).

Friday, March 6, 2009

Victorian Baby Swings

Here is an innovative 1901 baby swing that has everything - it is a bed, jumper, rocking chair and high chair, in turns. But the rocking chair suspended above the floor does look a little bit strange...and potentially dangerous. I am not sure why the physicians were endorsing it.

The first baby swing patent dates from 1872, and is an "improvement" on earlier swings. The patent for an 1880 swing looks like a little wooden crate; and the one patented in 1897 looks like a seesaw, with no harness whatsoever. The 1901 rocking chair has a bar across the front, at least.

From 1901, courtesy of the NYPL Digital Gallery.

Thursday, March 5, 2009

Little Tich, Big Boots

This odd little film was made at the Paris Exposition of 1900, and shows English music hall comedian Harry Relph (1867-1928). Relph was only 4'6" tall and was one of the 15 children of an innkeeper in Bromley, London. He was also known as "Little Tich" after the Tichborne claimant. This refers to a famous English legal case of the late 19th century.The man who claimed that he was heir to the Tichborne fortune, Arthur Orton, was a big, heavy man; Relph's nickname was ironic. The slang terms titch and titchy, both meaning small, referred to Relph, who made the nickname Tich famous.

This was one of the first attempts to synch a soundtrack with a film (the clunking of the stilt shoes and the music are original to the film, in other words). The "Big Boots" that he wears are 28" long.



More about Little Tich here at Biggin Hill.
Little Tich at Victorian Cinema.

Wednesday, March 4, 2009

Charlotte Melmoth and the Ghost of Red Hook Lane

The little alley in Brooklyn Heights called Red Hook Lane was once truly a lane "overspread with leafy branches." Built in 1760, Red Hook Lane had been the main thoroughfare between Brooklyn and the village of Red Hook, a point (in Dutch, "hoek") named for its red-clay soil. The Lane is now a shade of its former self, a tiny one block long alleyway between Boerum Place, Livingston Street and the Fulton Mall. It is in the middle of the map detail on the left, just below Fulton Street and slightly SE of Borough Hall. Below and at right is a 1931 photograph of the remnants of Red Hook Lane. It is somewhat east of where Charlotte Melmoth's cottage once stood, and where a man was frightened to death by ghosts.

English actress Charlotte Melmoth was one of the leading ladies of the American stage at the end of the 18th century. She was known for her portrayals of Elizabeth I, Mrs. Malaprop and Lady Macbeth, among other roles. She had been a successful actress in her native England, too.

Charlotte was the estranged wife of actor/author Courtney Melmoth, whose real name was Samuel Jackson Pratt. She was born in 1749, possibly the daughter of a farmer, and made her acting debut at Covent Garden. She and Courtney were in France in the late 1770s; Courtney managed to meet Benjamin Franklin in 1777 in Paris, and early in 1778 sent Franklin a series of letters in which he asks for money and shows off Charlotte's poetry skills.

Charlotte came to America in the 1790s where she acted for several years. She retired either due to "advancing age," or (as one source notes) due to a "fiery temper" which got her in trouble of some unnamed sort. She settled in Brooklyn, in a cottage on Red Hook Lane, around the year 1810, and established both a boarding house and a school for young ladies. Her pupils said that she was "dignified in manner and kind in word and deed," and liked to "declaim" when she read aloud to them.

Charlotte's cottage was located on what is now present-day Carroll Street, between Clinton and Henry, in Brooklyn Heights. Gilbert Stuart, the artist who painted the famous picture of George Washington, was one of her boarders. In the early 19th century this was "a lonely spot," surrounded by farms.

Nearby was "the old Suydam house," on the west side of Court Street between Atlantic and Pacific Avenues. In that house a young lady named Hannah Conrad had died of yellow fever in the early 19th century; she had contracted it by getting too close to the burial of a fever victim in St. Ann's churchyard (also a haunted place). It isn't made clear whether it was Hannah who was the ghost, but people definitely thought they had seen and heard ghosts there. It had been unoccupied for many years. In addition, the ghost of a murdered man was said to haunt a spot on Red Hook Lane, possibly a soldier from then-nearby Cobble Hill Fort. One of the ghosts of Red Hook Lane was said to have killed a man at the Melmoth house in the 1820s-30s.

After Charlotte's death in October 1823, her house became a tavern. A young man named Boerum had been drinking there with a group of friends and they had run out of whiskey. Boerum volunteered to ride down Red Hook Lane to the Fulton Ferry and get some more. He never came back. Finally, after midnight, his friends went looking for him. They found him lying in the middle of the lane, grasping an empty liquor jug, his face frozen in a grimace. His horse was standing nearby. They took Boerum back to the tavern but he never regained consciousness, and died a few days later. It was said that he had seen a ghost in the abandoned Suydam house, and died of fright.

SOURCES & IMAGES

Benardo, Leonard and Jennifer Weiss. Brooklyn By Name (NYU Press, 2006), p. 50.

"Haunted," Brooklyn Daily Eagle, Oct. 14, 1887, p. 4.
"Old School Girl Days," Brooklyn Daily Eagle, Nov. 20, 1887, p. 6.
"De Roede Hoek Lane," Brooklyn Daily Eagle, Nov. 27, 1887, p. 15.

Courtney Melmoth's letters to Benjamin Franklin at the Franklin Papers. Charlotte's poem is quoted in the letter of Jan. 28, 1778.
Charlotte Melmoth at Answers.com, whence the fiery temper anecdote.

Red Hook Lane explained at the incomparable Forgotten New York.
The Remnants of Red Hook Lane at the View From Here.
Detail of map showing modern Red Hook Lane is from my 1974 Hagstrom Pocket Atlas of NYC; Red Hook Lane is in the center, just below Fulton St.

Image of Charlotte Melmoth from NYPL Digital Gallery; image of her as Queen Elizabeth (at top) also from NYPL Digital Gallery. The photograph of Red Hook Lane is from 1931, and appears courtesy of the Brooklyn Public Library.

Tuesday, March 3, 2009

An Electro-Physiological Montage

I'm working on a story for tomorrow about a British actress and a haunted house in Brooklyn, but I wanted to share this amazing Victorian photograph (or rather, series of photographs) today.

It is part of the Flickr collection of the National Media Museum in Bradford, England. They have posted all sorts of interesting things on Flickr: spirit photographs, pictures of 19th century snapping dogs, people making faces ("human expressions" is the correct term, but really, it looks like they are just making faces for the camera, mostly).

This photographic montage appeared in the 1862 treatise The Mechanism of Human Facial Expressions (La Mecanisme de la Physionomie Humaine) by French neurologist Duchenne de Boulogne. Duchenne (1806-75) was a pioneer in the study and use of muscular electrophysiology. Electrophysiology is the study of the interaction between parts of the body and electrical phenomena; it can also mean the study of electrical activity in a body part or function. The woman in the photographs looks as if some sort of charge was being applied to her head.

A Duchenne smile is a smile which involves the muscles of the mouth and the eyes - a more "spontaneous" smile than one which only onvolves the mouth being upturned. Duchenne also identified a type of severe muscular dystrophy in 1861, which is named for him.

Charles Darwin used Duchenne's research in preparing his own The Expression of the Emotions in Man and Animals, which was published in 1872..

The National Media Museum website is well worth a visit; their Flickr Commons page is here.

Tomorrow: The Tale of Charlotte Melmoth.

Sunday, March 1, 2009

Dr. Chase's Cough Candy

It has turned out to be a medicinal weekend here, somewhat by chance. So we will turn to other things in the week to come.

I noticed this morning that the London Times reports that honey and lemon works as a children's cough and cold remedy much better than over-the-counter medicines. This reminded me of the "delightful elixir" Aspirinol and the more traditional, often whiskey-based, curatives that were given to children and adults alike in earlier days.

Dr. A.W. Chase, author of Dr. Chase's Recipes; Or Information For Everybody (1866), listed several recipes for cough drops and "Cough Candy" [pp 171-2] which partake of the traditional widsom. For example, one of Chase's cough syrups consists of equal parts of linseed oil, honey and Jamaica rum. Don't forget to shake well before using (the bottle, not you).

His Cough Candy is a little bit more complicated. Take the following ingredients:

2 oz. tincture of squills [often used in cough medicines, also see here]
1/4 oz. camphorated tincture of opium
1/4 oz. tincture of tolu
1/4 oz. wine of ipecac [still used in syrup form, to induce vomiting]
4 drops oil of gaultheria [wintergreen flavoring]
3 drops oil of sassafras
2 drops oil of anise-seed

Mix all the above and "put into 5 lbs of candy which is just ready to take from the fire, continuing the boiling a little longer, so as to form into sticks." Chase notes that many druggists had confectioners make up batches of "common [hard] candy" to which the former added the medicinal ingredients. The Cough Candy sounds rather more powerful than honey and lemon, though. I think I'll stick to the latter (or ginger and honey, which is also quite efficacious).

The image is from Dr. Chase's Recipes; Or Information For Everybody and shows Dr. Chase's medical building in Ann Arbor, Michigan. He says he built it so that he had the facilities to test all his Recipes and write the book - although I'm sure he enjoyed the extra space in a more general sense, too. He also printed his own books there: it says "Dr. Chase's Publication and Book Bindery" at the top of the building.

******
A thousand thanks to Don over at the very funny Beyond Left Field for the shout out for both my blogs! He is one of my daily reads and, well, I am quite honored. So do go over there right now and check him out, OK?